15 Years of Enema of the State

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Enema of the State, Blink 182’s third studio album, was released June 1st, 1999.  In a couple of days the album turns 15 and that is a big milestone for the 7x platinum album.  Loose Lips Press decided to do a little commentary to give an homage to the album.  Happy Birthday you 12 track bastard!

Head Writer, Christopher Lepore says-

“I can safely say that Blink 182 has affected us somehow and someway.  That is the beauty of a band like Blink 182.  They are a band that I can say that I will force my kids to listen to. I can’t say they are for all ages, only because my mom hates them.  The word I am looking for is, timeless.  Almost like a nice band of blokes from England you might of heard of, The Beatles. I only compare them to The Beatles, because of how I was introduced to music.  I was introduced to Rock n’ Roll with The Beatles. With Punk Rock, it was Blink 182.  They are timeless because of how I can relate to the band.  That is the main reason the album itself is terrific.  This album was written for guys who are 30 years old now, but somehow every kid in High School can relate to them.  What is so cool about this album is the song order.  They go from a funny song about a girl loving a dick; to a song about someone who suffered from depression.  It is just an album that changed me as a person and changed the music scene.”

Tony Geravesh of Stickup Kid says-

“It’s a timeless record, that’s the great thing about any music is that there will always be a generation of people who grow into an album.  My favorite track from that album is probably Going Away to College.”

17 year old of New Jersey Andrew Khantzian says –

“I can absolutely relate to the album.  Most of the songs are easy to relate to because of their basis of singing about High School problems.   Wendy Clear is my favorite song on the album.  I feel like the song is about the American teenager relationship.  We all get into a relationship that we know is not going to end well, but we are too stubborn to tell ourselves that.”

A Look Into Wonder Cunt

By Adrian Yllatopa, Staff Writer

Photo Courtesy of Wonder Cunt | https://www.facebook.com/1d3rc

“Punk-fucking rock, intense, cuntastic, menstruation” is how the all-girl band Wonder Cunt from New Jersey describes themselves in one word. But do not call them a riot grrrl band. Their aggressive guitars, heart-stopping drums and destructive vocals only has them fall under one perfect category: a full-fledged punk band. They take what they do seriously but yet they’re having the time of their lives. I sat down with Wonder Cunt recently to talk about their start, where they are now, and what their future looks like.

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Album Review #5: Colorchange- Thieves

 

 

By Christopher Lepore, Staff WriterImage

Thieves’ Colorchange is an EP that drops June 3rd, but Loose Lips Press got an early taste of the Texas pop-punk band’s new music.

 

Thieves opens their EP with the fast paced and sad song  “Smoke Signals”.  A song about moving on.  It is a terrific song to open up the EP, because it gives us an awesome look at what we are getting into.  An EP excellent lyrics, vocals and music.  After Smoke Signals comes their single Colorchange.  This is a fun song that I picture in that indie movie everyone likes.  The song “Compass” follows and that is a slight step down.  I am not hating on it, but I would love to see how it sounds acoustically.  Following “Compass” comes my favorite, “Tunnel Vision”.  This is a perfect song for most of the teen youth today.  If you are a fan of The Wonder Years music, you will love this album.  It relates to people who have trouble getting through tough times.  It explains to us that everything will eventually end, but we cannot dwell on sadness.  Ending the album is the song “Weight”.

 

I give this EP a 4/5.  This was well produced by Beau Burchell (Bayside, From First To Last, The Bled, Name Taken, The Bronx, Moose Blood) if you are a fan of The Wonder Years, this is a band to check out.  These guys are going far!

Check out their lyric video to the song “Weight”- https://www.youtube.com/watch?v=kpf36pkVLxM&app=desktop

 

Social Media:

 

http://thievestx.com

 

facebook.com/thievestx

 

twitter: thievestx

 

instagram: thievestx

Album Review #4 – Don’t Believe the Light / Sonny

Sonny (Alt Rock/Worthing, West Sussex, England) is a killer band hailing from our friends across the pond.  If you dig music fueled by rejection, girl troubles, Jimmy eat world, Weezer, Stereophonics, Jack White, and 90’s movies, you’ll absolutely love the EP, “Don’t Believe the Light.”  The album consists of three songs, “216,” “Work is for the We (ea) k,” and “Bipolar Weather,” it’s 9:37 of awesome tunes.  My personal favorite is the the intro track, “216,” as the intro guitar is absolutely perfect!

Soundcloud: https://soundcloud.com/sonnymusic-1

Facebook: https://www.facebook.com/SonnyMusicOfficial

Written by Troy Mullins, Loose Lips Staff Writer

Album Review #3: Eight Years – Little Pintos

By Christopher LeporeImage

Little Pintos from Old Bridge, New Jersey is a Indie punk band.  If you are a fan of The Strokes, you will love these guys.  The band consists of JJ Wong, Matt DeCaro, Amil Patel, and Jason Rodriguez.  They released music one year ago and I are reverting back to it.  I thought, why not give them a review? 

Their Bandcamp features six songs (23:02) are their album/EP Eight Years.  It starts out with the song Deadbeat; let me tell you, this is one of my favorite songs by any band!  This is a fun punk/indie sound and it is terrific.  Mid-way through the record it is a slow paced song You’ll Come Around.  This is a song I can not get into.  It might be just me, but I am not of the fan of the vocals on this track.  Otherwise, the vocals on the whole album is terrific!

Little Pintos’ Eight Years gets a 3/5 stars from me.  If you are looking for something to go on your road trip playlist for the summer, look into these guys.  Below is their information and go check them out.  Thanks!

 

Facebook- https://www.facebook.com/littlepintos

Bandcamp- littlepintos.bandcamp.com

Booking Agent- LittlePintos@gmail.com

Youtube- https://www.youtube.com/user/LittlePintos

Interview with Stickup Kid

imgresAdrian Yllatopa and Christopher Lepore sat down and interviewed the San Jose rock band Stickup Kid.  

LLP: It’s almost been a year since Future Fire was released. Have there been new songs in the works for any future releases, and if so, can you see a difference from these songs to the ones released in Future Fire?

SK: There are definitely new songs in the works. The main difference I see is that we definitely have stopped caring about what genre the music fits into and that we’re taking more time to develop the songs.

LLP: I remember seeing once on Twitter that Future Fire shouldn’t be considered a pop punk album by one of the members, how different is Future Fire from the pop punk genre?

SK: Stickup Kid started as a punk rock band and that fast beat, angsty, punk element will always exist in SK’s music. It’s our bread and butter. I think there will certainly be people out there that will label SK as a pop punk band forever. That’s totally kosher with us, but we see our music as music, we never try to tailor it to fit a genre. This is a philosophical construct I have sort of developed since living in California so I’ll give you the short version: people invent labels because without labels, they go fucking crazy. Bi, gay, straight, for example are just labels. Really, what is being gay? Loving someone. What is being bi? Loving someone. What is being straight? Loving someone. Society can’t bear the weight of understanding things that are “different” so they put a label on it to justify it to themselves. Really what is pop punk? Music. What is rap? Music. I hesitate to label anything like that because we don’t want to put a stigma on it. We don’t need the stigma. We’re fine writing what we feel and if it comes out different than before then I hope people see that we’re just being honest to ourselves. There’s no point in playing music if you’re not honest to yourself.

LLP: How has the band grown musically since the band’s inception?

SK: I think we’ve all grown into our instruments more; with these new songs I feel we’ve finally developed our own sound, style, and tones. I personally feel a lot more confident in my voice since Future Fire, I was turned onto some cool warm-ups by Dan from Real Friends and they really helped me expand my range and motivated me to go get some vocal coaching and take care of my voice better altogether.

LLP: The band’s current Twitter bio is “A band for the underdogs”. How is Stickup Kid a band for the underdogs?

SK: We represent and look to bring light to the lonely, the weak, and those who can’t stickup for themselves. We try to be a beacon of hope and inspiration to any and all that want to be in our lives. We love our fans and we don’t want them to perceive us as some form of pseudo-American musical idol (like what you see on TV), but rather friends they can look up to and talk to whenever they need something.

LLP:  A lot of Stickup Kid’s song feature lyrics about the ocean.  What is the reasoning behind it?

SK: I guess I never really noticed haha. The ocean intrigues me though. It’s another thing in the world that ebbs and flows, and it’s 75% of our Earth. It’s so vast and one of the last things that man cannot completely control or understand. If you lose something at the bottom it’s likely lost forever. Something about being near it makes me feel small, and sometimes it’s good to be humbled by mother nature.

LLP: What comes first, lyrics or music?

SK: It happens both ways. Sometimes I’ll write a complete song and be like bam, here you go, Bo, add some cool shit to this. Sometimes Bo will hit me with a riff and say, bam, TG, here’s a riff should we expand on this? Every song is built differently.

LLP: When you are on tour, what are you listening to?

SK: Depending on whose driving, we listen to a lot of Dangers when Jon drives, a lot of Katy Perry when Cam drives, a lot of 90’s alt rock like Third Eye Blind and Matchbox 20, sprinkled in with Modest Mouse when Tony or Bo drives. When Curtis drives we listen to reggae.

LLP: Does Stickup Kid still practice and play songs off of “Everything” (Album onStickupkid.bandcamp.com).

SK: We don’t generally play those songs, no. Only rare occasions like good friend’s birthdays.

LLP: Tony Geravesh posted on Facebook about starting a band called “Sweetwater Clifton”, is this a real project you’re working or just a joke?

SK: I’m legit trying to start that band but my friend Ethan told me it’s dumb and he wants to start a band called Audio Eagle. So I’ll probably start Sweetwater Clifton at some point in my life, or include it in a screenplay I’m writing, but it’ll be a band. These bands are just for fun as projects to expand my music.

SK:  Thanks Adrian and Chris, terrific questions.

Loose Lips Press would like to thank Stickup Kid for doing a terrific interview with us.  You can check out their music below!










Youtube and Music

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Youtube is a very dangerous and powerful website.  It can ruin lives, while it works the opposite for others.  There are people on Youtube making 6-digit salaries, and that is amazing to me.  A website that I used to just watch some kid cry about is WoW account being canceled and shoving a television remote up his ass, is now a occupation people live off of!  What I am getting at is Youtube has not only changed lives, but the music industry.  I know you all probably hate that punk Justin Bieber, but give him the credit that he became famous off of making internet videos.  That is pretty impressive to say the least.  My question, is this good or bad?

It easy to see the good in it, band makes videos, posts them to Youtube, someone sees it, and they become famous.  To think at one point bands had to get noticed by word of mouth and just playing as many shows as they could is amazing.  I am not taking anything away from bands that become famous over the internet, but it is a whole lot easier to put out a product now than before the day of the computer.  There are groups on Facebook that if you post some music, people would love to listen to it.  You can post your music everywhere, so that makes it easy to become noticed.

Is there too much?  Is there anyway that there is so much music and it is easy to become overlooked?  There are thousands of Bandcamp accounts, so what if all the good ones are the ones no one is looking at?  It is difficult to just say “my band is great, check them out”.  Everyday someone on twitter will send me a Bandcamp to look at.  There are good ones, but with the good always comes the terrible.  It just is crazy to think that a band that is better than a band like Real Friends, but they just get overlooked.

Ultimately, I believe media such as: Youtube, Bandcamp, and Sound Cloud are good for the music community.  It is so easy to record and post it to a website with technology today.  What do you guys think, is the growing media good or bad for bands?  Below are people musicians and writers thoughts on the topic.

Jeremy Nifras (Brooklyn Vegan)- “Well, I can see it in two ways: It is helping the music industry because the internet is a great place to share great music with others and it could get musicians exposure that couldn’t be achieved with word-of-mouth.  However, social media and the internet also involves lots of piracy, which causes artists and labels to lose lots of money.  But I believe it is bigger help to the industry rather than hurting it.”

Ashley (smalls)-  “I think it is helping.  It’s also making people very lazy though, utilize the internet but don’t forget about how important it is to connect in person.  Hit the road; don’t just sit around waiting for fame to come to you.  I’ve known too many bands who have missed out on their potential because they rode one wave and didn’t jump to the next.”

Samuel Glynn (The Silent Wire)-  “It helps it for the most part.  It’s easier to get noticed as a musician and for listeners it’s great, because it’s much easier to research and discover new music.”

By Christopher Lepore

 

You’re Killin’ me Tom!


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Atom Willard of Against Me! recently did an interview and brought up his former band, Angels & Airwaves.  Atom said commenting on why AVA was not the perfect fit for him, “With Angels and Airwaves, I thought it was the best thing. We had the greatest time and all got along, but circumstances changed when Tom [Delonge] started back up with Blink [182] again and the whole thing took a different turn. So it’s all of those things that have motivated me to move on. I’m just an idealist, I guess. [Laughs] I know it’s out there – I can find it.”

So, if I understand him, he was saying Blink 182 was Tom’s priority, but with recent news that Mark Hoppus (Bassist/Vocalist) and Travis Barker (Drummer) was “waiting” to finish the new Blink 182 album.  Mark has announced he will be working on a side project while he and Travis have a lot of down time because their parts of the recording are finished.  They are waiting on Tom DeLonge to come in and do his portion of the album.

Tom DeLonge is contemplating going on tour with AVA this summer.  Which to me is a HUGE mistake.  When Green Day did not tour before their Uno!, ¡Dos!, and ¡Tré! albums, their sales declined drastically.  Also, where will he find time to record?  What I am getting at is, Atom Willard says that Tom DeLonge started really to drift from AVA when Blink 182 got back together.  It seems to me that he is taking advantage of Mark and Travis’ time.

All I can say is, I really love Blink 182.  I grew up with them and intend to listen to them in my late 70’s if I make it there.  I just want what is best for the band.  All signs are pointing to another “hiatus” in my eyes.  Let us know what you think about Tom DeLonge going on tour in the poll below!

By Christopher Lepore

 

 

 

I Was There: Against Me! at Webster Hall, NYC (5/3/14)

By Adrian Yllatopa, Staff Writer

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Photo courtesy of Joe Papeo | http://www.irocktheshot.com

Following Against Me’s January release entitled Transgender Dysphoria Blues, an album 33 years in the making, the band embarked on a nationwide tour for the month of May. It started off in Charlotte, North Carolina and ending in Ventura, California. The supporting acts are The Tony Molina Band and Big Eyes. This show in particular that I attended was in Webster Hall, New York City, the hub for any and all tri-state area punk shows.

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Album Review #2: Here’s to Starting Over – Fighting Season

Fighting Season (Brampton/Hamilton, ON, CAN) are billed on their facebook page as “Maple Flavored Pop Punk.”  Many of us think of the vibrant scene with our broski’s from the norski’s as being spearheaded by the likes of Seaway, but don’t you dare sleep on Fighting Season.  This mapley flavored band is fronted by in my opinion one of the most talented frontmen in the scene, Matt O’Connor.  Consisting of, “Put Me In Coach,” “The Only Place I Know (Ft. Devin Moody formerly of July),” “Heading West,” “Going the Distance,” and “Stand Tall,” this roughly eighteen minute EP is a banger from start to finish.  I highly recommend checking it out on their bandcamp, as this band is going to go somewhere.  Overall I rate this EP at a 4/5, and I hope you all enjoy it as well.

Social Networks:

Facebook: www.facebook.com/FightingSeason

Twitter: @Fighting_Season

Bandcamp: fightingseason.bandcamp.com

Instagram: FIGHTINGSEASON

By:
Troy Mullins,  Loose Lips Staff Writer